Toegang tot Les Arcs: speciale uitrusting vereist

Tot 26 april op de pistes

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woensdag 25 december Bijgewerkt op 12-25-2024 om 8:06

Boek uw verblijf Koop jeski- en wandelpas Vinduw route

Geïnspireerd door grote kunstenaars als Bernini, Borromoni en Guarino Garini ontstond de barokke kunst in Italië en ontwikkelde zich in heel Europa in de 17e en 18e eeuw. Tijdens deze periode werden de kerken en kapellen van Savoye, vaak van middeleeuwse oorsprong, vergroot of getransformeerd. Terwijl de buitenkant sober bleef, werd het interieur rijkelijk versierd: in het koor stond het altaarstuk in het middelpunt van de belangstelling en werd het een ware catechismus in beelden. Barok is de kunst van de enscenering, van beweging met het spel van draperie en licht, van trompe l'oeil, van verguldsel en felle kleuren, van rondingen en tegenbochten, van voluten, van dramatisering en theatrale enscenering... Het is de uitdrukking van grandioosheid en overdaad om de gelovigen te verleiden.

Church of St. Roch - La Gurraz: Free entry

Jean-Pierre and Joseph Borrellet, natives of La Gurrez who had become wealthy traders in Turin, had this church and presbytery built, as well as the 25-metre bell tower that can be seen protruding from the glacier of Mont Pourri from a distance. An invitation to step inside.

Descriptif

Contrary to the typical scenario, this building did not replace a former church. Admittedly, the parish of La Gurraz was not created until 1714, by joining together the village of La Gurraz, within the parish of Villaroger, and La Savine, a hamlet in the parish of Sainte-Foy.
At the back of its chancel, a painting realised by J-B. Cavalière du Cameau in 1839 decorates the 18th-century main altarpiece. This painting depicts an Assumption in the presence of St. Catherine of Alexandria, St. Théodule (bishop of Sion in Valais and priest of the new church in 1714) and St. Roch, patron saint of the parish. Two twisted columns decorated with vine branches support an entablature on which there is a painting of Our Lady of the Seven Sorrows.
Contemplating this catechism in images, the rood beam, on which Christ is surrounded by the Virgin and by St. John, separates the nave from the chancel.
Another native of Turin, Zamorra, also realised the painting of the left-hand altarpiece in the 18th century, depicting St. Joseph borne aloft by the clouds, with St. Anthony of Cordoba and St. Peter below him. On the Rosary altarpiece in the opposite wing of the transept, he also illustrated a Madonna with Child giving the Rosary to St. Dominic and St. Catherine of Sienna.
Despite the simplicity of its decoration, this small mountain church is filled with items of interest. It has retained its pulpit and, especially, its wrought iron communion table - a barrier that separates the nave from the chancel. This item of furniture has unfortunately disappeared from most other churches.

Équipements

  • Parkeerplaats
  • Privé parkeerterrein